This collection of plays shows Middleton experimenting with the classical genres of tragedy and comedy as he develops his own individual dramatic voice. In his early comedies, characterized by an almost Terentian delight in ingenious plotting, love and marriage are merely counters in an elaborate game. But the game is governed by greed, as is the whole world of The Revenger's Tragedy, a Senecan revenge play imbued with biting, almost comical, irony. In his later plays Women Beware Women and The Changeling, Middleton gives the conventionally comic subjects of love and sex profoundly tragic treatment, revealing a world dominated by the corrupting power of lust but subject to the futility of human pretensions.